IN THE LATEST WORK presented by Denny Theocharakis, one might discern two chronologically different, and yet interconnected, thematic entities; two different kinds of representational expression. The first topic is about the age of “innocence”, about the time in which body and mind did not agonise about the recent lethal menace that has afflicted the entire mankind. Amidst this threat, the painter reproduces memories from travels of quest and exploration into far-off lands (mostly in Asia), where life has a different pace and is governed by different cultural norms.